![]() ![]() Object control in the timeline is more precise with improved keyframing.In addition to title templates, animations now have presets.The workspace interface can be customized.Improved organizational control over libraries, title lists and attributes.Adding a new multi-title media management system.Titles that don’t move now display faster.The best thing to do is to visit the NewBlueFX website and watch some of their many tutorials to get a sense of what this package can do.Īccording to their website, TitlerPro 5 added 20 new features in the current version, including: There are hundreds of style options that can be applied to text, in a variety of categories: To change the text, double-click it in the Viewer to select and modify it. Note how templates automatically include animation. When you find a title you like, double-click it to load it into the Timeline. Hold the mouse over a title to preview what it looks like in the Viewer. From inside the template folder, choose a title you want to use. In the Library, open the Project Templates folder, then open a Template folder. Not knowing what Titler Pro means by a word slows down the learning process.Ĭreating a title from a template is easy. However, as a note, while Titler Pro 5 has extensive – and highly-readable – help files, it would be really useful for new users to have an easily accessible glossary of terms because the words: “workspace,” “library,” “project” and “template” have many different meanings. The fact that there are as many collections and templates as there are is a tribute to how flexible the software is. Templates – and there are more than 200 of them – are bundled into collections, including: (It is far easier modifying a template than creating something sophisticated from scratch.) If creating titles is new to you, or if you don’t have any After Effects or Motion experience, I strongly recommend getting one of the template packages that NewBlue has designed using Titler Pro 5. NOTE: Why “NewBlue?” The founders’ first company was “The Blue Ribbon Soundworks,” which they sold to Microsoft in 1995. The company currently holds multi-year license deals with industry leaders Avid Corporation, Corel, Cyberlink, Magix, Pinnacle Systems, Grass Valley EDIUS and Sony Corporation. Website: MSRP: $299(US) Upgrade pricing and template packages are also available.īased in San Diego, CA, and privately held, NewBlue entered the market in 2006 with its NewBlueFX line of video special effects for video editing, which quickly became the fastest growing in its market. ![]() If you need to create animated titles that can be used just about everywhere, with a depth of features not found in any titling package included with your video editing software, you need to consider Titler Pro 5 from NewBlue. There are multiple flavors of Titler Pro 5: A stand-alone app, a menu choice in Premiere Pro, a generator inside Final Cut Pro X, as well as support for After Effects, Avid Media Composer, Vegas Pro, Edius and DaVinci Resolve plus any other application that can import a QuickTime movie. The third thing you need to know is that this titler can create animated titles for all NLEs. You don’t need to be a graphics pro to use the power in Titler Pro 5 if you spend time watching the tutorials. The interface is fairly clean, but there’s nothing obvious that says: “Click here to get started.” Watching the tutorials and reading the help files on the NewBlue website are essential to using this app successfully. The second thing you need to know is that, like opening After Effects for the first time, it is easy to get overwhelmed. Everything you build is on a timeline and all text can be displayed in 3D, with significant control over styling and animation. The first thing you need to know about Titler Pro 5, from NewBlue, is that it creates titles that move … in all directions and dimensions. Until this morning, when it occurred to me that my job here is not to explain every feature, or show every possible effect in detail, but, instead to tell you about the software, explain what makes it unique and encourage you to try it for yourself. So, about four pages into my review, I stopped. There is so much to the software that anything less than a treatise feels inadequate. I felt like I was reviewing Motion or Final Cut. The new version does so MUCH that I didn’t know where to start. The good folks at NewBlue asked me to take a look at the new version and I happily accepted. ) Time passed and the latest version 5 is now shipping. The last time I reviewed Titler Pro from NewBlue, Inc., they had just released a new plug-in for Final Cut Pro 7. ![]()
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